Brett Easton Ellis notes the Stalinism of Gay Identity Ideology...
... where saying anything less than that every gay is a courageous, well-adjusted, heroic figure results in vicious attacks:
Gay activists dive-bombing other gays who express an opinion that doesn’t lean toward their agenda means that within the gay world we are living in a very simplistic place. A barbed observational opinion tweeted by a gay man about gay men in Hollywood—and not directed at anyone—becomes, in the world of GLAAD, hate-speech. When a community prides itself on its differences and uniqueness and bans the gay man because of the way the gay man expresses himself—then a corporate PC fascism has been put into play that needs to be seriously reconsidered by the LGBT community. This is a problem: If you are a gay man who is not The Gay Man as Magical Elf, then you run the risk of being ostracized by the elite gay community. An organization holding an awards ceremony that they think represents all gays and also feels that they can choose which gays can and cannot be a member of the party is, on the face of it, ridiculous. The fact remains that if you aren’t presenting yourself as a happy homosexual promoting healthy mainstream gay values and pimping for GLAAD, then you’re somehow defaming The Cause.
Ellis's sin was in noting the infantilizing way that gays are treated when they "come out":
Was I the only gay man of a certain demo who experienced a flicker of annoyance in the way the media treated Jason Collins as some kind of baby panda who needed to be honored and praised and consoled and—yes—infantilized by his coming out on the cover of Sports Illustrated? Within the tyrannical homophobia of the sports world, that any man would come out as gay (let alone a black man) is not only an LGBT triumph but also a triumph for pranksters everywhere who thrilled to the idea that what should be considered just another neutral fact that is nobody’s business was instead a shock heard around the world, one that added another jolt of transparency to an increasingly transparent planet. It was an undeniable moment and also extremely cool. Jason Collins is the future. But the subsequent fawning over Collins simply stating he is gay still seemed to me, as another gay man, like a new kind of victimization. (George Stephanopoulos interviewed him so tenderly, it was as if he was talking to a six-year-old boy.) In another five years hopefully this won’t matter, but for now we’re trapped in the times we live in. The reign of The Gay Man as Magical Elf, who whenever he comes out appears before us as some kind of saintly E.T. whose sole purpose is to be put in the position of reminding us only about Tolerance and Our Own Prejudices and To Feel Good About Ourselves and to be a symbol instead of just being a gay dude, is—lamentably—still in media play.
But, hey, tolerance is not enough.