A Fair Question.
TTAM117 asks a fair question:
The book is silly, but readable. How can you be so sure in your criticism without having read the book?
I think that's a fair question. Let me answer the question with a question. Have you ever noticed in murder mystery movies that if they show you that the protagonist has problems starting the car during the first ten minutes of the movie, that fact will be critical in the last ten minutes? Think of "What lies beneath." When you saw that the cell phone didn't work on the bridge didn't you say to yourself that that would somehow be important later in the movie?
Likewise, in Vampire flicks there are certain rules that have to be followed. Vampires have to seek blood and fear the sunlight. If you have a vampire who can sunbathe and has an unnatural hunger for V8, you have a mess.
The reason is that mystery and vampires involve there own genre and genres have cliches.
The Da Vince Code fits into the "Lost Gospels" genre. This genre has a quite a few recent entries. Think of
Stigmata and
Holy Blood, Holy Grail.
Bart Ehrman's Lost Scriptures offers one account of the so-called lost Gospels. (on the other hand,
Philip Jenkins' Hidden Gospels points out that the "Lost Gospels" have been known to scholars for centuries. In fact, the "Gospel of Thomas" - which Stigmata inanely identifies as the "Gospel of St. Thomas" as a proof of its writers lack of interest in a modicum of scholarship - was known to Origen and was described as a Gnostic work.) Then, of course, there's the X-Files amusing
Hollywood A.D.
The point is that I'm acquainted with the genre. I've also read the reviews of the Da Vinci Code. These reviews have been confirmed by people who've read the book. I think I have a fair basis on which to conclude that Dan Brown's book posits that (a) Jesus was married to Mary Magdalene and had children, (b) some "lost" text describes this, (c) a "secret" arm of the Catholic church is willing to murder to keep the secret.
How'd I do? Well, according to
the Official Dan Brown website, I'm dead on, which is hardly surprising given the fact that this is virtually the plotline of Stigmata and Hollywood A.D., sans the part about Mary Magdalene. I may be off about the "lost" text, but I deserve credit because clearly the Dan Brown story line traces through Mary Magdalene, who was venerated in Languedoc, the heartland of the Gnostic Cathars. On the other hand,
this review identifies the "lost gospels" used by Brown. That these "lost gospels" would find their way into Brown's book was predictable.
Like I said spot the cliches.
My objection with the Da Vinci Code is that these cliches constitute bad cliches that reinforce lamentable ignorance on the part of his readership. I have never said Brown is not a good writer, but the cliches are pernicious.
For example, I'll repeat, the pre-eminence given to Mary Magdalene is a Gnostic theme. But the Gnostic's abhorred sex for the basic reason that sex involved the "vile, evil material world" and could entrap more spirit-stuff. Now, if you're going to write a novel based upon Gnostic suppositions, fairness would suggest that you follow out those suppositions, otherwise you're perpetrating codswallop. I like
this review of the obnoxious movie, Stigmata, particular where the author observes about the movie rewriting Catholic dogma:
Now let me say this, no movie is required by law to follow official Catholic teaching as it advances its plot, but once it embraces a feature of Catholicism (stigmata) which depends upon a certain philosophy of the world--God, Jesus as the divine son of God, the miraculous, evil, Satan--internal logic dictates that the movie must move within this world view. Otherwise, the whole plot turns into a pillar of nonsensical salt before our very eyes.
Likewise, no book is required to follow Gnostic dogma, but, jeepers, if you're going to use Gnostic myths and sources to impeach the "official story," doesn't the logic of that proposition require some consistent treatment of Gnosticism. Otherwise, a fair criticism is that the plot of the book "turns into a pillar of nonsensical salt before our very eyes." In other words, a person can argue that Gnostic Gospels provide a truer version of Jesus than the orthodox contemporaries, in which case Jesus didn't marry and have children, or they are precisely the mythmaking fabrication of a small, dissident sect, just like Origen said they were.
Likewise, much of the "lost Gospel" storyline - irrespective of Brown's writing ability - is based on errant nonsense. The best source on this is
Philip Jenkins' Hidden Gospels, which should be read by anyone interested in the Da Vinci Code. The best example of the nonsense of the "hiden Gospel" school is the the fact that the so-called Secret Gospel of Mark has not been laughed into non-existence. The Secret Gospel of Mark was "discovered" by Morton Smith in a monastery. Smith claimed that he had discovered handwritten in an 18th Century book a supposed letter from the late second-century church father Clement of Alexandria purporting to describe a different version of Mark - one in which Jesus appears to engage in homosexual activities. Smith took a couple of pictures and promptly thereafter the Secret Gospel of Mark was lost.
Despite the fact that the Secret Gospel of Mark was never seen by any scholar other than Smith, and at best is double or triple hearsay - it was an 18th Century rewrite of a supposed 2d Century letter purportedly describing a third document - it was initially hailed as authentic. Although after Smith died, the word "forgery" started to surface, the Secret Gospel of Mark is still treated as legitmate by some scholars. See for example,
this site and
this site. This site offers a nice rebuttal.
Beyond bad scholarship, the Da Vinci Code caters to a thread of American populist Anti-Catholicism that goes back to the Know-Nothings. (That whole part about murderous Catholics could have been lifted out of popular works from the early 19th Century.) Interestingly, Dan Brown's next book happens to feature a "Freemason conspiracy," which is delightfully reactionary, conjuring as it does a possible revival of the fortunes of the lately moribund
Anti-Masonic Party.
However, to be fair, I've acquired a copy of the Da Vinci Code in an under the table deal at the local Catholic bookstore. I might as well read what I've been criticizing.
As long as I don't have to pay for it.